Labor of
love……When you get involved with an old car, you should always ask
questions. Had I followed my own advice, I would have found out that I
shouldn’t be able to restore my ’66 Brougham. I’ve done various levels of
restoration on Cadillacs over the years, but nothing like this one. I
restored the interior and accessories on my ‘66 Eldorado so I had an idea
of how the car was built. However a Brougham, the top of the line with
every accessory and many unique trim and luxury details, is substantially
more car. I sold my Eldorado to buy the Brougham because I was never
satisfied with the creaks and rattles of convertibles and always admired
the solid, silence and luxury of Fleetwoods. My friends thought I was
completely insane ditching a convertible for a sedan.
I looked for three years
for a restored or excellent original Brougham to no avail. So I decided I
would build one just the way I wanted. How hard could it be? I found this
car in December 2001 and had a local club member inspect it. Airfare was
too expensive to fly and see it, and the price was reasonable enough that
I could sell it at a small loss if it was too far gone. I don’t know the
full history, but it was originally sold in the Baltimore - Washington DC
District. It spent time in New Jersey, went to Boston then to Winston
Salem NC before I bought it. It turns out I had passed on this car a year
earlier for $500 less. When it arrived it was as tired and used as
described except for the rear roof panel which had extensive rot under the
vinyl top and there was moisture in the trunk. I inspected the trunk and
the floor under the rear seat and was surprised to find that the floor was
not rotted from the leaks. The water was just beginning to get inside the
body. I decided that it was worth restoring and focused on the drive train
first.
Working at my friend
Frank’s shop over the next 18 months, the engine, transmission and
suspension were completely rebuilt. I also removed the interior and most
of the trim. The engine rebuild was maddening. I mixed replacement parts
with original bolts. One of those bolts was hitting a reinforcement rib on
the block making a horrific noise. The back of the bolt protruded through
the thinner web of the replacement cam gear in a way that was not visible
when assembled. It took five complete tear downs before we found the
telltale scratch on the block and remedied the problem by grinding a
fraction off the length of the bolt. This was not a promising start.
Before bringing it to the
body shop I removed the rest of the trim and interior. Eastside Collision
did the metal work and paint. The owner, Kenny, is a young guy with
infinite patience. He allowed me to work in the shop restoring the dash,
window mechanisms, vacuum and electrical accessories. The car has eight
power windows and every option Cadillac offered. Kenny was an amazing
teacher, showing me all the tricks of the trade that take years to learn
on one’s own. At this point, every nut and bolt had been disassembled
except the six that hold the body on the chassis. This was the determinant
when the car arrived. I had no intention of taking the body off the
chassis because it would have required specialized equipment and another
order of magnitude in work and complexity. It took another 18 months, part
time, to complete the metal and paint work before the car came home.
During that time I
restored all 64 pieces of stainless trim that had been badly damaged when
the car was previously painted. Whoever sanded the car hit the trim with
the grinder leaving deep gouges and dents. There’s a reason why stainless
trim restoration is so expensive. It is time consuming, requiring nearly 3
months full time work to achieve that brilliant shine on straightened
pieces. In the process I found out that stainless is flashed chromed to
produce a uniform color and brilliance matching the chromed pot metal and
steel trim parts. I had to have the parts stripped before I could metal
work them and flashed chromed afterwards…….Don’t ask the cost. I also
installed a heat and sound barrier throughout the interior, doors, and
trunk of the car; and jute fillers to level out bumps and lumps in the
floors so the carpet would lay flat. This wasn’t an added nicety on my
part. Fleetwoods were higher priced because of the extra hidden build
quality. The car then went back to the body shop where we installed the
finished trim. Attaching sharp edged chrome trim to a car with finished
and polished paint is much like bomb disposal….You do everything very,
very slow with forethought of every action.
Next stop was the
upholstery shop, Tom’s Auto Upholstery. The owner, Rodger, was another
young man, who shouldn’t have known much about these cars, but he was a
fountain of knowledge. He started in the trade as a teenager when these
were used cars. My car has the biscuit style seat with embroidered seat
backs which was a no cost option to the standard three pillow design. The
fabrics used with my style were more subdued than the other, the style a
banker or executive would select. After searching through all the usual
suspects I couldn’t find the gray, silky finish Delmont Cloth my car was
built with. I decided to use gray wool broadcloth, which was another
available option. A quick trip to Bill Hirsh and I had the material. I
made new door panel cardboards for Rodger and a new package shelf and
restored all the interior wood trim. This was the last year for real wood
trim and the Black Walnut pieces came back to life with careful wood
restoration techniques. Rodger rebuilt the seats like fine furniture and
tailored the fabric like a fine suit. I couldn’t have asked for more
meticulous craftsmanship.
After six years of work I
thought it was done. It looked beautiful if I do say so myself. However
the car had other ideas. I spent the next six months debugging problems
and making adjustments to get things the way I thought they should be. The
task was twice as hard because everything was finished and required get
care when working in and around the car. I finished all of my check list
items the day before the Cherry Hill GN and drove it there on its maiden
trip. The First Place win was a proud moment, but the real joy was
questions, comments and recognition of the work by other Cadillac
enthusiasts. Since then it received a First Senior at Hershey and a first
at the Monmouth County Concours.
Why sell an Eldorado for a
four door Fleetwood sedan? It’s a matter of taste. Cadillac convertibles
and Eldorados are beautiful cars……They’re the kinds of car photographed
with Marylyn Monroe or Charlize Theron……. A Fleetwood is for Sophia Loren.